Here Hiroshige has presented another distant view framed by a large foreground object, in this case a pleasure boat setting out from the Mukōjima side of the Sumida River and heading for the San’ya Canal. The passengers have just enjoyed the cherry blossoms at the Mimeguri Shrine; a few blossoms are even floating in the air. The only figure, that of a Geisha partially visible on the left sitting in the boat. An elaborate hair pin juts out into the background sky. In the center distance, the temple roof with the five storied pagoda of Asakusa Kannon (Formerly known as Kinryūsan Sensōji; the Azuma bridge built in 1774 to the left (aka Ōkawa Bridge) and Fuji above it in blue with a white top. Differences in printing occured after the first edition was printed. While this is an early printing here are some differences from the first printing:

Darker green colors as used in the reed bed to left of boat, trees on distant shore and replacing a lighter green on the small boats. The bokashi of the upper sky is more mauve at the top vs deep blue on 1st, black boat hull somewhat less black, pink shy at right horizon extended across the print on 1st. Same wood grain effects showing. Title cartouche with more red bokashi at top on 1st.